The topic of “things I’ll probably never do” includes the F-1 pilot idea and several others I discussed here. Written over six years ago, the actual topic is politics. One dear, late friend proclaimed it the best thing I’d written. Another said, more or less, “You’re wrong.” The two had an unusual connection that will go into the unwritten small world blog. A search of all posts reveals that I haven’t written about today’s topic although I could’ve sworn…
Tango. I love it. Some decades ago, my son, before leaving for two years on a church mission, purchased a CD called simply Tango (1996) by Julio Iglesias. It won a Grammy nomination and an American Music Award in 1998 when up against Iglesias’s son, Enrique. Was that awkward? Millions of copies sold in spite of the horrible cover photo. All others are better. For the next two years, I listened at least once on most of my drives around the metroplex. Hundreds of times, and then the child came home, the CD went missing, and I didn’t hear it until last week when said child played it again. These days, YouTube has the entire work, free with ads. We enjoyed a bit of nostalgia because I had thought of the lost album but didn’t know how to find it. Julio’s name had gone missing from my brain.
Some were and remain favorites: “La Cumparsita” (the little parade); “El Choclo” (the corn cob); and “Mano a Mano” (hand in hand). One “Cambalache”) I had to skip because it begins with a heavy metal riff before returning to the familiar accordion/orchestral instrumentation.
Did I ever do anything about this passion? No. It was before YouTube, of course, so how would I possibly learn? Here is a tutorial for American tango. This Argentine version seems easy, maybe too easy, and maybe skip the first 30 seconds as a little too sexy.
Rudolph Valentino introduced the tango to Americans in his 1921 movie The Four Horsemen of the Apocalypse. It’s an anti-war film, shot just after World War I, with a complicated plot involving French and German families. Valentino was a relatively unknown Italian actor until then, but he became the era’s sex symbol and the tango a sensation. He died in 1926 when only 31 years old. My grandmother talked about him, though I don’t know her opinion of him. The details of his life are, well, complicated.
The chief figure in tango composition remains Carlos Gardel. In Tango, four of the twelve pieces are his. Born in France in 1890, he went to Buenos Aires when a baby because his mother was not married and could say she was a widow there. His birth name was Charles Gardès, and when his father arrived in Argentina years later, his mother declined the marriage. Gardel died in a plane crash when he was 45.
Now for movies. Here are seven clips from a variety of films, including several familiar ones. The last features Fred Astaire and Ginger Rogers in a rather chaste version. The Tango Lesson (1997) is a semi-autobiographical film about a woman writing a film but encounters writer’s block and decides to take lessons from a gifted dancer. Here is Tom of Tom and Jerry fame, dancing with a bear, and a door, and a clock. They are doing “La cumparsita,” acknowledged as the most famous tango tune.
So, what do I like about this rather seductive pastime? Perhaps it’s the dancers’ postures. They carry themselves beautifully if you’ve watched the clips. Perhaps it’s the shoes, here in a decidedly non-sexy version.
Perhaps it’s best explained in this review of The Tango Lesson from critic Roger Ebert: “Most dances are for people who are falling in love. The tango is a dance for those who have survived it and are still a little angry about having their hearts so mishandled. The Tango Lesson is a movie for people who understand that difference.” Case in point: Cinderella (2015) has this waltz scene. Beautiful dress, beautiful people, lots of sparkles. But no fire. And at times, one wants a bit of that.